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PRESONUS STUDIO LIVE 24
FIno al 31 MAggio il Mixer verrà fornito di FLight Case professionale serigrafato Presonus
Una volta entrato in contatto con StudioLive non tornerai mai a nessun altro mixer "vecchia scuola". Con la sua incredibile potenza di elaborazione audio su ogni canale, la facile procedura di memorizzazione e richiamo delle impostazioni e la possibilità di registrare il tutto con due semplici click del mouse, verrai immediatamente catturato!
Più semplice da utilizzare, caratterizzato da un suono migliore e perfettamente integrato con un software allo stato dell'arte, fornisce il miglior contesto creativo sia per esibizioni live che per l'utilizzo in studio.
StudioLive non è semplicemente una console, bensì una famiglia, in rapida crescita, di mixer allo "stato dell'arte"; un sistema integrato hardware/software che fornisce tutte le caratteristiche necessarie per la realizzazione di suoni live, registrazioni live ed in studio.
StudioLive 24.4.2 è una buona scelta da prendere in considerazione per il missaggio di piccoli o grandi spettacoli e funzioni religiose, ma è un'ottima scelta per le associazioni, le aziende e le istituzioni educative. E' rappresenta la scheda audio ideale all'interno di un Project Studio.
All'interno dello stesso dispositivo troviamo 24 preamplificatori microfonici XMAX, una scheda audio FireWire, più di 90 processori di segnale, una vasta libreria di effetti DSP, 10 mandate ausiliarie, 4 sub-gruppi, LED metering esteso per un immediato feedback visivo, funzione di salvataggio e richiamo delle scene di mix, funzione di salvataggio e richiamo delle scene per i singoli canali, funzioni di copia/incolla tra i canali, talkback, ecc... Nonostante i molteplici controlli e le sue dotazioni, il mixer rimane compatto e facile da trasportare.
Registra e migliora la performance grazie a StudioLive 24.4.2. Diventa creativo in studio. Crea loop, effetti sonori e molto altro, poi portali dal vivo ed inseriscili all'interno dell'esecuzione live.
Processate i vostri canali usando i vostri plug-in preferiti e automatizzate completamente la vostra esecuzione.
StudioLive 24.4.2 rivoluziona la produzione musicale, aprendo illimitate possibilità creative.
Requisiti di sistema
* Windows
* OS: Microsoft Windows XP, Windows Vista, Windows 7 (32 e 64 bit)
* CPU/Clock: Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 (Turion) (2.5 GHz or faster recommended)
* Memory(RAM): 2 GB (more recommended)
* Macintosh
* OS: MacOS X 10.5.2 or late
* CPU/Clock: PowerPC G4 1.25 GHz or Intel Core Solo 1.5 GHz processor (2 GHz or faster recommended)
* Memory(RAM): 2 GB (more recommended)
* Windows and Macintosh Systems
*IEEE 1394 FireWire 400 Port
* Internal or external 7200 RPM storage drive highly recommended
Caratteristiche
# 24 mic/line inputs with high-headroom Class A XMAX mic preamplifiers
# 4 subgroups
# Stereo/mono main out
# 10 auxiliary mixes
# 32-in/26-out FireWire digital recording interface (24-bit/44.1 kHz and 48 kHz)
# Studio One Artist Digital Audio Workstation software for Mac and PC
# Capture 1.1 recording software for Mac and PC
# Direct recording interface compatible with Logic®, Nuendo, Cubase, Sonar, Digital Performer, Ableton Live, and more
# 24 channel strips
# Trim control with 20 to +20 dBV line/-15 to +65 dBu mic gain range (80dB!)
# +48V phantom power switch for condenser microphones
# FireWire Input Select
# 100 mm precision faders
# Lighted Solo and Mute buttons
# Access to Fat Channel functions
# 15-LED ladder metering + clip LED
# Analog ¼" insert (rear panel)
# 4 subgroup buses, each with:
* Solo
* Mute
* Access to Fat Channel functions (except high-pass filter and phase reverse)
# 10 aux sends, each with
* Solo
* Pre/post-fader send
* Output-level control
* Access to Fat Channel functions (except phase reverse)
* Mix and Mix/Pan Fat Channel metering
* Available sources: 24 input channels, Aux A and B, Tape Input, Talkback
# 2 internal effects sends, each with:
* Mute
* Pre/post-fader send
* Output-level control
* Access to Fat Channel (except phase reverse)
* Effects-send Select for Fat Channel metering
* Mix button for aux-bus mixing and Fat Channel metering
# Master Section
* Aux Input A and B
* Level Control and Select (Fat Channel metering) switch
* Access to all Fat Channel functions (except phase reverse)
* Talkback System
o Mic Level control
o Output Select ( Aux 1-2, 3-6, 7-10, Main)
o Talk button
o Rear-panel XLR mic input with level control and continuous 48V phantom power
* 2 Track In
o Level control
o Tape Input to Mains button
o FireWire source on/off
* Solo Bus
o Cue Mix volume control
o PFL/AFL and Solo In Place (SIP) buttons
* Monitor Bus
o Headphone-output level control
o Control-room monitor-level control
o Solo Bus to Monitor button
o Tape Input to Monitor button
o Main L/R FireWire Return to Monitor button
o Main Mix to Monitor button
# Fat Channel with rotary encoders:
* Pan with dedicated 15-LED display
* Stereo link for input channels, aux buses, and subgroups
* Phase reverse (main channels only)
* High-pass filter: 6 dB/oct., sweepable from Off to 1 kHz (main channels and auxs only)
* 4-band fully parametric equalizer
o Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
o Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
o High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
o High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
o Master EQ On/Off button
* Gate: Threshold: 0 to 84 dB, Attack: 0.02 to 500 ms, Release: 0.05 to 2 sec, Bandpass Key Filter: 40 Hz to 16 kHz, second-order resonant bandpass filter Q (0.7) with Key Listen function
* Compressor: Threshold,-56 to 0 dB; Ratio 1:1 to 14:1, LIM=?:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
* Limiter: variable Threshold -28 dBfs to 0, ?:1 Ratio
* Output Assign: 4 subgroups and main with post-EQ/post-dynamics option
* All settings can be copied among channels and saved as user presets.
* 50 channel-strip presets for drums, bass, guitars, keyboards, and vocals
# 2 internal digital effects-processors, each with 50 customizable reverb and delay presets
* 31-band graphic equalizers
o Assignable in four stereo pairs
o Mono or stereo operation
o Main outputs, aux outputs, subgroup outputs
* Scene Store and Recall
* Global Scene Storage: all current StudioLive settings
o Up to 80 at a time
* Automatic Global AutoStore
* Individual channel-strip Scene storage
o Up to 48 at a time, plus
o 50 factory presets for instruments and vocal
* Copy and Paste between channels
* Customizable naming (for example, Saturday Gig or Main Worship Service)
* Lockout mode to keep inspired amateurs from changing your settings
# Metering/Displays
* 24 x 16- LED Fat Channel matrix:
o Pre-dynamics/pre-fader input
o Post-dynamics/post-fader output
o Gain reduction
o Aux 1-10 and EFX A/B output
o Fader-position recall
* 8 x 15-LED main meter bank
o Selected channel level
o Selected channel gain reduction
o Sub buses 1 to 4
o Main stereo outputs
* 15-LED horizontal Pan/Balance display
* 64 x 194 LCD matrix
o Effects parameters
o Scene creation, storage, and recall
o System menus
* 2-digit Channel Selected display
# Input/Output
* 24 main inputs, each with XLR mic, ¼" line, and ¼" inserts
* 2 ¼" stereo (L/R) aux inputs
* 1 XLR talkback-mic input with phantom power and level control
* Unbalanced RCA stereo (L/R) tape inputs and outputs
* XLR stereo (L/R) main outputs with level control
* ¼" stereo (L/R) main outputs
* XLR mono output with level control
* ¼" stereo (L/R) control-room outputs
* ¼" Headphone output
* 4 ¼" subgroup outputs
* 10 ¼" aux outputs
* 24 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 (DB25 sockets) S/PDIF digital out
* 2 FireWire 400 ports
# Digitalia
* High-definition analog-to-digital converters (118 dB dynamic range)
* Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
* Internal sample frequency 44.1 kHz and 48 kHz
# Physical
* Rugged, non-flex steel chassis
* 100 mm long-throw faders
* Military-grade, quick-touch buttons
* BNC 12V lamp socket
* Optional dust covers available
Specifiche tecniche
Microphone Preamp 1-24 (XLR Balanced)
Type XLR Female, Balanced
Frequency Response to Direct Output 20 Hz to 40 kHz ±0.5dBu
Frequency Response to Main Output 20 Hz to 20 kHz ±0.5dBu
Input Impedance (Balanced) 1K Ohm
THD to Direct Output EIN to Direct Output +125 dB unwtd,, +130 dB A-wtd
S/N Ratio to Direct Output -97 dB
S/N Ratio to Main Output -94 dB
Common Mode Rejection Ratio +65 dB
Gain Control Range -16 dB to +67 dB (+/- 1 dB)
Maximum Input Level (unity gain) +16 dBu
Phantom Power +48 VDC
Line Inputs
Type 1/4" TRS Female, balanced mono
Frequency Response to Direct Outputs 10-40 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs 20-20 kHz, +/- 0.5 dBu
Input Impedance 10 k?
THD to Direct Output THD to Main Output S/N Ratio to Direct Output -105 dB
S/N Ratio to Main Output -94 dB
Gain Control Range -20 dB to +20 dB (+/- 1 dB)
Maximum Input level (unity gain) +22 dBu
Tape Inputs
Type 1/4 TRS Female, balanced mono
Maximum Input Level +10 dBu
Auxiliary Inputs
Type 1/4 TRS Female, balanced (2 stereo pairs)
Maximum Input Level +22 dBu
Main Outputs
Type Male, balanced (stereo pair); 1/4 TRS Female, balanced (stereo pair); XLR Male, balanced (mono)
Rated Output Level +24 dBu
Output Impedance 10 k?
Aux Outputs
Type 1/4 TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 51 ?
Subgroup Outputs
Type 1/4 TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 51 ?
Tape Outputs
Type RCA Female, unbalanced (stereo pair)
Rated Output Level +18 dBu
Output Impedance 100 ?
Control Room Outputs
Type 1/4 TRS Female, balanced (stereo pair)
Rated Output Level +18 dBu
Output Impedance 51 ?
System Cross Talk
Input to Output -90 dBu
Adjacent Channels -87 dBu
Noise Gate / Expander
Key Listen Filter () 2nd order resonant bypass; Q=0.7; OFF, 40Hz-16kHz
Threshold Range -84 dB to 0 dB
Gate Attenuation Range -84 dB to 0 dB
Attack Time 0.02s to 500ms
Release Time 0.05s to 2s
Expander Attenuation Range 2:1
Limiter
Threshold -28dBFS
Ratio ? :1
Attack 20ns
Hold 10ms
Release 20ms
Compressor
Threshold Range -56 dB to 0 dB
Ratio 1:1 to 14:1
Attack Time 0.2 ms to 150 ms
Release Time 40 ms to 1000 ms
Auto Attack and Release Attack = 10 ms, Release = 150 ms
Curve Types hard and soft knee
EQ
Type 2nd order shelving filter (Q = 0.55)
Q 0.1 to 4
Low (Lowpass or Bandpass) 36 to 465 Hz, ± 15 dB
Low Mid 90 Hz to 1.2 kHz, ±15 dB
High Mid 380 Hz to 5 kHz, ±15 dB
High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB
Graphic EQ
31- Band 1/3rd Octave Controls Curve-fitting algorithm
Gain/Attenuation ±15 dB
Digital Audio
ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
FireWire S400, 400Mb/s
Internal Processing 32-bit, floating point
Sampling Rate 44.1, 48 kHz
A/D/A Bit Depth 24
Reference Level for 0 dBFS -18 dBu
Clock
Jitter Jitter Attenuation >60 dB (1 ns in ? 1 ps out)
Power/Environmental
Connector IEC
Input-Voltage Range 100 to 240 V~, 50-60Hz
Power Requirements (continuous) 100 W
Temperature Range 0 - 40 degrees celsius
Physical
Length 22.35 inches (568.06 mm)
Width (chassis only) 17.22 inches (437.40 mm)
Width (with rack ears) 19 inches (482.60 mm)
Maximum Height 6.90 inches (175.26 mm)
Weight 23 lbs.
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